Into the Wild/as You Like It

Texts whitethorn show us that a sense of be can emerge from connections made with people, places and the larger world. To what result do the texts you have studied support this idea? Happiness is only real if shared. This insightful quote from Sean Penns 2007 film Into the daft shows that any sense of belong must wax finished connection we make with others and the wider world. Shakespeares dawdle As You Like It also demonstrates this, and shows that be is a inseparable instinct and one fundamental to a meaningful life.The setting of As You Like It plays a crucial role in shaping the idea of be in the play. Like the typical pastoral, the beginning of the play is set in court, a place established as a hub of corruption and political tension. Orlandos house is described as a butchery as his brother plots to kill him, Rosalind is banishd, and Duke Senior calls courtly life purposeicoloured pomp. The combination of images suggests estrangement and non belonging. By argument, Arden is a free, untainted setting where characters are able to develop relationships without conforming to rigid social constraints.Also, the transition from the last density of formal verse in the opening scenes to the more frequent use of prose, signifying acceptance and familiarity, towards the fetch up reinforces this transition from tension and not belonging to unity. This harmonious shutting is epitomized in the final scene in which these eighttake hands. That the characters do form relationships there in which they belong is a sack indication that belonging is an innate develop of the human condition. In essence, by means of the natural setting of the play, Shakespeare emphasises that belonging is a natural state of humanity.Similarly, Into the Wild contains pastoral elements that contribute to belonging in the film. Like the painted pomp of the court in As You Like It, Penn portrays society as oppressive, employing dark metaphors of war to reinforce this fence-posts are black sword-tips and red tiles hardened blood. The dinner scene is muted, with the use of shivering hand-held camera emphasizing the tension and estrangement. By contrast, the wilderness acts as a catalyst for belonging in which he realizes the significance of onnections with people to happiness. All scenes of him in the wild are shot in rich natural light, as opposed to the exaggerated florescent lighting used in the civilized scenes. This contrast in lighting suggests that both Arden and the wild are places of healing where characters learn about the nature of belonging and the importance of connections. As You Like It shows that belonging can arise through connections with others. There are umteen ways to be accepted and Shakespeare reflects this in his use of diverse characters.Rosalind takes a more sensible, realistic nestle than Orlando, stating that men have died from time to timebut not for love. Orlando is much more the petrachan l over, vowing to stay and die her slave. Celia and Olivers relationship is a more spontaneous connection, whoever loved that loved not at kickoff sight? whereas Touchstone and Audrey simply see marriage as a natural part of life as the ox has his bow, so wedlock does come nibbling. The contrast between these couples combined with the comedic ending shows that belonging can arise through variety of relationships and connections.The Rainbow Fish similarly demonstrates that belonging can arise from a variety of relationships. The fish depicted in the book are of different shapes and sizes, and are charge joined intermittently by other creatures a starfish, an octopus, a shark, suggesting implying a diversity of connections that can choose to belonging. Also, the Rainbow fishs scales are a combination of all the colours of the other monochromatic fish. finished this Pfiser is implying that we have something in common with everyone, and so connections with others are not limited to a certain type.The correlation be tween connections with people and belonging is perhaps seen most clearly in As You like It through the contrast between Rosalind and Jacques, the brooding melancholic. Shakespeare juxtaposes the two characters to make the point that belonging arises primarily from connections. Where Rosalind has many friends much(prenominal) as her dear coz Celia, Orlando and Touchstone, Jacques is alone and friendless, reveling in his melancholy which he loves better than laughing.He chooses not to belong, symbolized in his refusal to partake in the final dance, despite being beseeched by the Duke to stay, Jacques, stay Where Jacques rejects connections in raise of matter to be heard and learned, Rosalind embraces them, and as a result is the happier, more fulfilled character. Shakespeares use of contrast clearly shows that belonging, and hence happiness, is an intrapersonal phenomenon. In many ways, Chris of Into The Wild mirrors Jacques.He refuses to belong, striving by and by Platonic ideals similarly to how Jacques seeks learning. He explicitly says that rather than lovegive me truth, paralleling Jacques preference for association over belonging. Unlike Jacques however, he regrets his decisions towards the end, seen through the directors use of the diary to become his thoughts. In an extreme close up, he writes lonely slowly and deliberately, and underlines it to highlight the intensity of his feeling of isolation. The euphony is sad and haunting, emphasizing his regret over his alienation.Further to this, the final scene consists of a series of rapid flashbacks depicting characters with which he formed relationships. The voiceover is in second person what if I were smiling and running youre your arms? , with the use of the conditional tense highlighting his regret at his rejection of connections. This use of voice over combined with positive cumulative images ending in a still shot of Chris, suggests that our sense of belonging is important to both happiness and a sense of self. Like Chris, the Rainbow Fish ultimately realizes the value of belonging. ab initio he was a character like Jacques when offered by the others to come join in he would coast past, proud and silent. However, in the end he chooses to share his shimmering scales, a recurring motif symbolising love and friendship. This transition from isolation to belonging is further emphasised by the positioning of the fish in the book. On the first page, he is depicted alone in the centre, with his back to the other fish. As he learns to belong, he begins to turn towards others, eventually ending face to face as he gives away the first scale.His change of attitude is also reflected in the shift in colour scheme, from cooler hues of blue to warmed purples. This suggests happiness and love, again implying that a sense of belonging is vital to happiness. Both As You Like It and Into the Wild show that belonging may, and does, arise out of the connections we make with other people. The se connections are a natural part of the human condition and can take many shapes and forms, but they are essential to happiness as it is a shared phenomenon.